Trying to Expand the Stratosphere and Communicate with the Audience. Dialogue. Q: the Target of This Film Is a Fleeing Migrant Worker. How Does the Director Build a Trusting Relationship with Migrant Workers and Employers? I Spent a Lot of Time Gaining the Trust of Migrant Workers. During the Chinese New Year in 2013, I Went to Shoot Cao Yun's Home in Vietnam, Which Was a Very Big Breakthrough in My Relationship with Her. I Had Heard Cao Yun Talk About the Family Members One by One. When I Heard That My Brother and Father Were Sick, and My Sister t-shirt-design Was Going to Study, the Whole Family Depended on Her to Manage the Whole Family. in the Early Days of Filming, She Seemed to Be Quite Defensive, Observing What Kind of Taiwanese I Was. at That Time, She Kept Mentioning That She Wanted to Go Home Before the Chinese New Year, but Due to Her Own Condition, She Was Unable to Make the Trip, So I Suggested That I Go to Her House to Have a Look. I Didn't Expect That She Agreed, and I Was Quite Happy. After That, She Started Chatting with Me More, and I Realized That She Already Has a Grandson and Is a Grandma! Later, I Went to Vietnam with Three Photographers and Producers. When We Set Off, Our Luggage Was Almost Overweight, and We Brought a Lot of Gifts for Caoyun to Share with Our Family. Her Employer at the Time, Wang Xiuyun, Also Asked Us to Bring Gifts, Which Shows That Their Relationship Is Actually Very Good. After Arriving in Vietnam, I Fully Understood the Family Situation That Cao Yun Described Earlier. Her Family Welcomed Us Very Much, but at the Moment I Felt Astonished - the Person Who Celebrate